Few modern voices have had as profound an impact on the black identity and critical race theory as Frantz Fanon, and Black Skin, White Masks represents some of his most important work. Fanon's masterwork is now available in a new translation that updates its language for a new generation of readers. A major influence on civil rights, anti-colonial, and black consciousness movem...(展开全部)

Few modern voices have had as profound an impact on the black identity and critical race theory as Frantz Fanon, and Black Skin, White Masks represents some of his most important work. Fanon's masterwork is now available in a new translation that updates its language for a new generation of readers. A major influence on civil rights, anti-colonial, and black consciousness movem...(展开全部)

Following the death of her son, Mieko Toganō takes an increasing interest in the personal affairs of her widowed daughter-in-law, Yasuko. Devastated by her loss, she skillfully manipulates the relationships between Yasuko and the two men who are in love with her, encouraging a dalliance that will have terrible consequences. Meanwhile, hidden in the shadows, is Mieko’s mentally-...(展开全部)

Sheila Fitzpatrick is Bernadotte E. Schmitt Distinguished Service Professor at the University of Chicago and coeditor of "The Journal of Modern History". Her books include "Everyday Stalinism: Ordinary Life in Extraordinary Times; Stalin's Peasants: Resistance and Survival in the Russian Village after Collectivization; Accusatory Practices: Denunciation in Modern European Histo...(展开全部)

"White" is not a book about colors. It is rather Kenya Haras attempt to explore the essence of "White," which he sees as being closely related to the origin of Japanese aesthetics a " symbolizing simplicity and subtlety. The central concepts discussed by Kenya Hara in this publication are emptiness and the absolute void. Kenya Hara also sees his work as a designer as a form of...(展开全部)

"White" is not a book about colors. It is rather Kenya Haras attempt to explore the essence of "White," which he sees as being closely related to the origin of Japanese aesthetics a " symbolizing simplicity and subtlety. The central concepts discussed by Kenya Hara in this publication are emptiness and the absolute void. Kenya Hara also sees his work as a designer as a form of...(展开全部)

约翰·马克，曾长期在大英博物馆从事人类学方面的研究工作，现为英国东安格利亚大学世界艺术研究学院教授。

约翰·马克，曾长期在大英博物馆从事人类学方面的研究工作，现为英国东安格利亚大学世界艺术研究学院教授。

约翰·马克，曾长期在大英博物馆从事人类学方面的研究工作，现为英国东安格利亚大学世界艺术研究学院教授。

约翰·马克，曾长期在大英博物馆从事人类学方面的研究工作，现为英国东安格利亚大学世界艺术研究学院教授。